When the masks appear in Venice for their yearly appointment,
a lot of people wonder where this magic, this imagination, this beauty
of the Venice Carnival comes from.
Let yourselves therefore be fascinated by these masks all year round.
Decorating the walls at home, they will remind you all the splendour of
Venice.
These Venetian masks are original and very decorative
gifts for the young and old alike, and much appreciated by collectors.
Born in France, in Mulhouse, married and the mother of two sons,
I worked in the field of finance until 1991. I then decided to come
back to my first great passion: PAINTING .Having grown up in an artistic
background and atmosphere, I started out with portraits drawn in pencil
at a young age.
Later, impressed by the splendour of the Venice Carnival, I became
fascinated by Venetian masks. These masks in ceramic and painted in
acrylic give my fantasy and creativity free rein. I present the masks
with or without a frame.
In addition, I also paint on canvas in acrylic, oil paint, and charcoal.
(still life, flowers scenery, portraits)
My first exhibit took place at the "Cercle des Arts" in Mulhouse
in 1993. Since then, I have taken part in numerous exhibitions for
painters in Alsace, Switzerland and Paris.
I have been awarded several prizes from the international Academy
of Fine Arts in Lutèce in Paris, including two vermeil medals with
the distinction of "special prize from the Steering Committee", and
two gold medals. I have also received a vermeil medal from the"Société
d'Encouragement l'Elite » in Paris.
The mask is the definition of Venice.
Its reputation is international. Thanks to the mask, the nobility has
been able to live out its fantasies.
The most famous mask is the Bauta , which was originally made
up of a hood of black silk, together with a lace cape worn with a tricorn
and a white mask, the Larva or Volto. Men, women, the
nobility and the bourgeois strode the streets of Venice in the Bauta.
The Tabarro, a large cape, completed the costume and guaranteed
total anonymity. In addition to the Bauta, the women also wore a small
black oval mask, the Moretta.
In the XVIII century, the Council of Venice had even obliged the women
of the nobility to wear masks when going out to the theatres of cafés
in order to preserve their own reputation as well as that of their husbands.
The Bauta and Moretta were not necessarily worn at the time of the carnival,
but to pass incognito. On the other hand, during the carnival, other
masks were worn, for example the mask of the physician of the plague.
With a long beak like a bird of prey which was filled with aromatic
herbs, glasses, and a wide-rimmed hat, he evoked to the crowd that mas
is really insignificant. Starting from the XV century, the masks of
the Commedia dell'arte, such as Harlequin, Punch, Brighella etc.
were already being worn.
In the XVIII century, the carnival was a never-ending festival. Masks
were worn from December 5 to 16 (the period of Advent), to be put back
on again on Boxing Day, December 26. This was the official starting
date for the carnival. The Venetian feasts were celebrated all over
Europe. They ended when Napoleon's troops arrived in Venice on May 16,
1797.
After two centuries of interruption, a small carnival was revived in
1979. In 1980, the Biennial of Venice and the producer Maurizio Scaparro
organised a theatre festival from 13 to 24 February. This mix of theatre
and carnival fascinated the Venetians and progressively developed, attracting
more and more tourists.